Elisabeth Vincenti
Dancer
© Ingo Schaefer
With the company since 2020/21
The Sicilian dancer Elisabeth Vincenti received her professional dance training at the ballet school of the Teatro dell’Opera di Roma, where she graduated in 2019. With the associated company in Rome, she performed in choreographies by Angelin Preljocaj, Patricia Ruanne, Mikhail Baryshnikov and William Forsythe, among others.
After joining Ballett am Rhein, she appeared as the Student in Flemming Flindt’s “The Lesson”, as Pumphutt in Demis Volpi’s “Krabat”, in “Der Nussknacker”, and in Roland Petit’s “Carmen”. She has also been seen in Marcos Morau’s “Le sacre du printemps”, Gil Harush’s “Don’t look at the jar”, and as one of the women in Neshama Nashman’s “Eine kleine Frau”. Her repertoire with Ballett am Rhein further includes Iratxe Ansa and Igor Bacovich’s “Moto perpetuo”, Jean-Christophe Maillot’s “Vers un Pays Sage”, Andrey Kaydanovskiy’s “Chalk”, Hans van Manen’s “Visions Fugitives”, William Forsythe’s “Artifact II”, George Balanchine’s “Die vier Temperamente”, David Dawson’s “Empire Noir”, as well as Richard Siegal’s “La valse” and “Boléro”.
The Sicilian dancer Elisabeth Vincenti received her professional dance training at the ballet school of the Teatro dell’Opera di Roma, where she graduated in 2019. With the associated company in Rome, she performed in choreographies by Angelin Preljocaj, Patricia Ruanne, Mikhail Baryshnikov and William Forsythe, among others.
After joining Ballett am Rhein, she appeared as the Student in Flemming Flindt’s “The Lesson”, as Pumphutt in Demis Volpi’s “Krabat”, in “Der Nussknacker”, and in Roland Petit’s “Carmen”. She has also been seen in Marcos Morau’s “Le sacre du printemps”, Gil Harush’s “Don’t look at the jar”, and as one of the women in Neshama Nashman’s “Eine kleine Frau”. Her repertoire with Ballett am Rhein further includes Iratxe Ansa and Igor Bacovich’s “Moto perpetuo”, Jean-Christophe Maillot’s “Vers un Pays Sage”, Andrey Kaydanovskiy’s “Chalk”, Hans van Manen’s “Visions Fugitives”, William Forsythe’s “Artifact II”, George Balanchine’s “Die vier Temperamente”, David Dawson’s “Empire Noir”, as well as Richard Siegal’s “La valse” and “Boléro”.
Fri 08.01.2027
Opernhaus Düsseldorf
19:30 - 21:45
Audiodescription Ballet
Sun 10.01.2027
Opernhaus Düsseldorf
14:00 - 16:15
For the last time this season, Audiodescription Ballet
Afterwards: Talk about female characters on stage
Thu 28.01.2027
Theater Winterthur
19:30 - 21:45
Guest performance Ballet
Fri 29.01.2027
Theater Winterthur
19:30 - 21:45
Guest performance Ballet
Sat 30.01.2027
Theater Winterthur
19:30 - 21:45
Guest performance Ballet
Fri 30.10.2026
Opernhaus Düsseldorf
19:30 - 21:00
Premiere Ballet
Fri 06.11.2026
Opernhaus Düsseldorf
11:00 - 12:30
School performance Ballet
Sat 07.11.2026
Opernhaus Düsseldorf
18:30 - 20:00
Ballet
Afterwards: Nachgefragt
Fri 04.12.2026
Opernhaus Düsseldorf
19:30 - 21:00
Ballet
Sat 12.12.2026
Theater Duisburg
19:30 - 21:00
Premiere Ballet
Sun 03.01.2027
Theater Duisburg
18:30 - 20:00
Ballet
Afterwards: Nachgefragt






