14.03.–06.06.2026 / Ballet
OrgelPassion
Stina Quagebeur / Glen Tetley / Goyo Montero
Dates
17:30 - 18:15
Ballett-Workshop Ballet
19:30 - 22:30
Premiere Ballet
19:30 - 22:30
Ballet
19:30 - 22:30
Ballet
18:30 - 21:30
Audiodescription Ballet
19:30 - 22:30
Ballet
19:30 - 22:30
Ballet
19:30 - 22:30
Audiodescription Ballet
19:30 - 22:30
Ballet
19:30 - 22:30
For the last time this season Ballet
Content
Powerful expressivity in perfect harmony
Omelas (world premiere)
Voluntaries
Premiere on December 22, 1973, Staatstheater Stuttgart, Stuttgarter Ballett
Aurea (world premiere)
Voluntaries
Premiere on December 22, 1973, Staatstheater Stuttgart, Stuttgarter Ballett
Aurea (world premiere)
“What is the price of paradise and who has to pay for it?” asks Belgian choreographer Stina Quagebeur in her new creation "Omelas", which is based on a dystopian short story by Ursula K. Le Guin. Intuitive and urgent, in a composition of organ sound and orchestral force, abstract and narrative at the same time, she creates a journey at the pulse of today.
We are celebrating Glen Tetley's 100th birthday with a dance classic. “Voluntaries” (1973) is a combination of ballet and modern dance that demonstrates Tetley's unique style. Inspired by the latin word “volare” - “to fly”, episodes of floating bodies are created, propelled by the sinuous melodies of the organ and the urgent rhythms of the drums in the music.
Goyo Montero's “Aurea” refers to the natural and artistic harmony principle of the golden ratio. In his search for perfect form and movement - beauty in itself - the Spanish choreographer resorts to “Passacaglia”, the musically and mathematically “perfect” work by Bach, in combination with a composition by Owen Belton.
We are celebrating Glen Tetley's 100th birthday with a dance classic. “Voluntaries” (1973) is a combination of ballet and modern dance that demonstrates Tetley's unique style. Inspired by the latin word “volare” - “to fly”, episodes of floating bodies are created, propelled by the sinuous melodies of the organ and the urgent rhythms of the drums in the music.
Goyo Montero's “Aurea” refers to the natural and artistic harmony principle of the golden ratio. In his search for perfect form and movement - beauty in itself - the Spanish choreographer resorts to “Passacaglia”, the musically and mathematically “perfect” work by Bach, in combination with a composition by Owen Belton.
Musikalische Leitung
Organist
Markus Hinz
Omelas
Voluntaries
Choreographie
Glen Tetley
Musik
Francis Poulenc
Bühne & Kostüme
Rouben Ter-Arutunian
Licht
John B. Read
Choreographische Einstudierung
Bronwen Curry/Alexander Zaytsev
Aurea
Choreographie
Goyo Montero
Musik
Owen Belton/Johann Sebastian Bach
Bühne mit EstudiodeDos
Kostüm
Salvador Mateu Andujar
Licht
Cast
Orchester