Orazio Di Bella
Dancer
© Sigrid Reinichs
Italian dancer Orazio Di Bella trained at Elmhurst Ballet School (associated with the Birmingham Royal Ballet), completing his diploma in 2011. While still a student, he gained his first stage experience with appearances at Sadler’s Wells Theatre in London, the Hungarian Youth Dance Festival in Budapest and on several tours with the Birmingham Royal Ballet and was able to work on leading works of the classical repertoire – including parts in ‘Swan Lake’ (Ashton), 'Slaughter on 10th Avenue’ (Balanchine), ‘Napoli’ (Bournonville), ‘Elite Syncopations’ and ‘Romeo and Juliet’ (MacMillan), ‘La Bayadère’ (Petipa) and ‘Coppélia’ (Wright). From 2011 to 2015 he performed solo roles in works by choreographers including Nacho Duato, Vladimir Malakhov, Vasily Medvedev, Massimo Morricone, Marius Petipa, Uwe Scholz and Youri Vámos for companies including the Slovak National Ballet and the Teatro Massimo Palermo. In 2015, he became a member of the Hanover State Opera Ballet Company where he danced in pieces by Ballet Director Jörg Mannes and works choreographed by Jirí Bubenícek, Nils Christe, Georg Reischl and Yaron Shamir.
Orazio Di Bella has been a member of the Ballett am Rhein since the 2018/19 season and was most recently seen here in Twyla Tharp's "Commentaries on the Floating World", in Aszure Barton's "Come In", as the Man in White in Demis Volpi's "Geschlossene Spiele", in the title role of Volpi's "Der Nussknacker", and as Merten and Lyschko in "Krabat". He also danced in Andrey Kaydanovskiy's "Die kahle Sängerin", as a teacher in Flemming Flind's "The Lesson", in the role of Franz in Hélène Blackburn's "Coppélia x Machina" and in Blackburn's "Choleric" as well as in Gil Harush's "Don't look at the jar".
Orazio Di Bella has been a member of the Ballett am Rhein since the 2018/19 season and was most recently seen here in Twyla Tharp's "Commentaries on the Floating World", in Aszure Barton's "Come In", as the Man in White in Demis Volpi's "Geschlossene Spiele", in the title role of Volpi's "Der Nussknacker", and as Merten and Lyschko in "Krabat". He also danced in Andrey Kaydanovskiy's "Die kahle Sängerin", as a teacher in Flemming Flind's "The Lesson", in the role of Franz in Hélène Blackburn's "Coppélia x Machina" and in Blackburn's "Choleric" as well as in Gil Harush's "Don't look at the jar".
Tue 14.01.2025
Theater Duisburg – Opernfoyer
17:30 - 18:15
Ballett-Workshop Ballett
Sat 18.01.2025
Theater Duisburg
19:30 - 21:30
Premiere Ballett
Fri 24.01.2025
Opernhaus Düsseldorf
19:30 - 21:30
Ballett
Sun 26.01.2025
Theater Duisburg
18:30 - 20:30
Audiodescription Ballett
Wed 29.01.2025
Opernhaus Düsseldorf
20:00 - 22:00
Ballett
Fri 31.01.2025
Theater Duisburg
19:30 - 21:30
Ballett
Afterwards: Nachgefragt
Sun 02.02.2025
Theater Duisburg
18:30 - 20:30
Audiodescription Ballett
Sat 08.02.2025
Opernhaus Düsseldorf
19:30 - 21:30
Audiodescription Ballett
Fri 21.02.2025
Opernhaus Düsseldorf
19:30 - 21:30
Audiodescription Ballett
Sun 30.03.2025
Theater Duisburg
18:30 - 20:30
Ballett
Fri 11.04.2025
Theater Duisburg
19:30 - 21:30
Ballett
Thu 17.04.2025
Opernhaus Düsseldorf
19:30 - 21:30
Ballett
Sun 19.05.2024
Opernhaus Düsseldorf
18:30 - 20:30
Audiodescription, For the last time this season, Family card Ballett