Elisabeth Vincenti
Dancer
© Ingo Schaefer
With the company since 2020/21
The Sicilian dancer Elisabeth Vincenti received her professional dance training at the ballet school of the Teatro dell’Opera di Roma, where she graduated in 2019. With the associated company in Rome, she performed in choreographies by Angelin Preljocaj, Patricia Ruanne, Mikhail Baryshnikov and William Forsythe, among others.
After joining Ballett am Rhein, she appeared as the Student in Flemming Flindt’s “The Lesson”, as Pumphutt in Demis Volpi’s “Krabat”, in “Der Nussknacker”, and in Roland Petit’s “Carmen”. She has also been seen in Marcos Morau’s “Le sacre du printemps”, Gil Harush’s “Don’t look at the jar”, and as one of the women in Neshama Nashman’s “Eine kleine Frau”. Her repertoire with Ballett am Rhein further includes Iratxe Ansa and Igor Bacovich’s “Moto perpetuo”, Jean-Christophe Maillot’s “Vers un Pays Sage”, Andrey Kaydanovskiy’s “Chalk”, Hans van Manen’s “Visions Fugitives”, William Forsythe’s “Artifact II”, George Balanchine’s “Die vier Temperamente”, David Dawson’s “Empire Noir”, as well as Richard Siegal’s “La valse” and “Boléro”.
The Sicilian dancer Elisabeth Vincenti received her professional dance training at the ballet school of the Teatro dell’Opera di Roma, where she graduated in 2019. With the associated company in Rome, she performed in choreographies by Angelin Preljocaj, Patricia Ruanne, Mikhail Baryshnikov and William Forsythe, among others.
After joining Ballett am Rhein, she appeared as the Student in Flemming Flindt’s “The Lesson”, as Pumphutt in Demis Volpi’s “Krabat”, in “Der Nussknacker”, and in Roland Petit’s “Carmen”. She has also been seen in Marcos Morau’s “Le sacre du printemps”, Gil Harush’s “Don’t look at the jar”, and as one of the women in Neshama Nashman’s “Eine kleine Frau”. Her repertoire with Ballett am Rhein further includes Iratxe Ansa and Igor Bacovich’s “Moto perpetuo”, Jean-Christophe Maillot’s “Vers un Pays Sage”, Andrey Kaydanovskiy’s “Chalk”, Hans van Manen’s “Visions Fugitives”, William Forsythe’s “Artifact II”, George Balanchine’s “Die vier Temperamente”, David Dawson’s “Empire Noir”, as well as Richard Siegal’s “La valse” and “Boléro”.
Iratxe Ansa & Igor Bacovich „Moto perpetuo“:
Dukin Seo, Joan Ivars Ribes, Elisabeth Vincenti, Rafael Vedra
Dukin Seo, Joan Ivars Ribes, Elisabeth Vincenti, Rafael Vedra
© Altin Kaftira
Jean-Christophe Maillot „Vers un Pays Sage“:
Ako Sago, Emilia Peredo Aguirre, Elisabeth Vincenti, Francesca Berruto
Ako Sago, Emilia Peredo Aguirre, Elisabeth Vincenti, Francesca Berruto
© Altin Kaftira
Andrey Kaydanovskiy „Chalk”: Elisabeth Vincenti, Clara Nougué-Cazenave
© Daniel Senzek
Andrey Kaydanovskiy „Chalk”: Elisabeth Vincenti, Miquel Martínez Pedro, Clara Nougué-Cazenave, Orazio Di Bella
© Daniel Senzek
Hans van Manen „Visions Fugitives“: Elisabeth Vincenti, Skyler Maxey-Wert
© Bettina Stöß
© Roman Novitzky
Neshama Nashman „eine kleine Frau“: Elisabeth Vincenti, Miquel Martínez Pedro
© Bernhard Weis
William Forsythe „Artifact II “: Elisabeth Vincenti, Gustavo Carvalho
© Bernhard Weis
Gil Harush „don’t look at the jar”: Elisabeth Vincenti, Miquel Martínez-Pedro, Ensemble Ballett am Rhein
© Sandra Then
Demis Volpi „Big Blur“: Elisabeth Vincenti
Flemming Flindt „The Lesson“: Elisabeth Vincenti (Schülerin)
© Bernhard Weis
George Balanchine „Die vier Temperamente“: Miquel Martínez Pedro, Elisabeth Vincenti
© Bettina Stöß
