23.01.-28.02.2027 / Ballet
Rituale
Ohad Naharin / Neshama Nashman / Martin Chaix
Wed 24.02.2027
Opernhaus Düsseldorf
19:30 - 22:00
Ballet
17:30 - 19:00
Ballett-Workshop Ballet
Rehearsal viewing & panel talk
19:30 - 22:00
Premiere Ballet
19:30 - 22:00
Ballet
15:00 - 17:30
Ballet
18:30 - 21:00
Audiodescription Ballet
Afterwards: Nachgefragt
19:30 - 22:00
Ballet
18:30 - 21:00
For the last time this season, Audiodescription Ballet
Rhythms. Rituals. Ecstasy.
George & Zalman
World premiere on July 5, 2006, Machol-Shahem Tanzhaus, Jerusalem, Batsheva Ensemble
Black Milk
World premiere on September 25, 1990, Suzanne Dellal Center, Tel-Aviv, Batsheva Ensemble
N.N. (world premiere)
À fleur de peau (world premiere)
World premiere on July 5, 2006, Machol-Shahem Tanzhaus, Jerusalem, Batsheva Ensemble
Black Milk
World premiere on September 25, 1990, Suzanne Dellal Center, Tel-Aviv, Batsheva Ensemble
N.N. (world premiere)
À fleur de peau (world premiere)
Ritual, as a fundamental form of human communication and collective experience, is at the heart of this evening of ballet.
In “George & Zalman” (2006), Ohad Naharin combines the gradually unfolding text of a poem by Charles Bukowski with a choreography that grows by one element at a time, performed by five women. In “Black Milk” (1990), by contrast, Ohad Naharin unleashes an excessive, archaic-seeming creation with five dancers in a movement language of almost cult-like intensity.
In her new piece, Neshama Nashman interprets the ritual as a transition, drawing inspiration from the Jewish Havdalah ritual marking the end of Shabbat. A sense of tension arises from the collective movement, which then dissolves into a quiet, contemplative atmosphere – an echo of night, memory and vastness.
Martin Chaix’s new creation, “À fleur de peau”, is a cyclical journey inward in which undefined emotions erupt to the surface, making the invisible pulse of human emotion immediately tangible – raw, colourful and life-affirming.
In “George & Zalman” (2006), Ohad Naharin combines the gradually unfolding text of a poem by Charles Bukowski with a choreography that grows by one element at a time, performed by five women. In “Black Milk” (1990), by contrast, Ohad Naharin unleashes an excessive, archaic-seeming creation with five dancers in a movement language of almost cult-like intensity.
In her new piece, Neshama Nashman interprets the ritual as a transition, drawing inspiration from the Jewish Havdalah ritual marking the end of Shabbat. A sense of tension arises from the collective movement, which then dissolves into a quiet, contemplative atmosphere – an echo of night, memory and vastness.
Martin Chaix’s new creation, “À fleur de peau”, is a cyclical journey inward in which undefined emotions erupt to the surface, making the invisible pulse of human emotion immediately tangible – raw, colourful and life-affirming.
Musikalische Leitung
George & Zalman
Choreographie
Ohad Naharin
Musik
Arvo Pärt
Text
Charles Bukowski
Voice
Bobbi Jene Smith
Kostüm
Eri Nakamura
Licht
Avi-Yona Bueno (Bambi)
Dramaturgische Betreuung
Black Milk
Choreographie
Ohad Naharin
Musik
Paul Smadbeck
Kostüm
Rakefet Levy
Licht
Avi-Yona Bueno (Bambi)
Dramaturgische Betreuung
UA (Nashman)
Choreographie
Musik
Osvaldo Golijov
Sounddesigner
Davidson Jaconello
Bühne
Kostüm
Licht
Avi-Yona Bueno (Bambi)
Dramaturgie
À fleur de peau
Choreographie
Martin Chaix
Musik
Pēteris Vasks
Bühne
Thomas Mika
Kostüm
Aleksandar Noshpal
Licht
Dramaturgie
Orchester
