23.01.-28.02.2027 / Ballet
Rituale
Ohad Naharin / Neshama Nashman / Martin Chaix
Fri 05.02.2027
Opernhaus Düsseldorf
19:30 - 22:00
Ballet
17:30 - 19:00
Ballett-Workshop Ballet
Rehearsal viewing & panel talk
19:30 - 22:00
Premiere Ballet
19:30 - 22:00
Ballet
15:00 - 17:30
Ballet
18:30 - 21:00
Audiodescription Ballet
Afterwards: Nachgefragt
19:30 - 22:00
Ballet
18:30 - 21:00
For the last time this season, Audiodescription Ballet
Rhythms. Rituals. Ecstasy.
George & Zalman
World premiere on July 5, 2006, Machol-Shahem Tanzhaus, Jerusalem, Batsheva Ensemble
Black Milk
World premiere on September 25, 1990, Suzanne Dellal Center, Tel-Aviv, Batsheva Ensemble
N.N. (world premiere)
À fleur de peau (world premiere)
World premiere on July 5, 2006, Machol-Shahem Tanzhaus, Jerusalem, Batsheva Ensemble
Black Milk
World premiere on September 25, 1990, Suzanne Dellal Center, Tel-Aviv, Batsheva Ensemble
N.N. (world premiere)
À fleur de peau (world premiere)
Ritual, as a fundamental form of human communication and collective experience, is at the heart of this evening of ballet.
In “George & Zalman” (2006), Ohad Naharin combines the gradually unfolding text of a poem by Charles Bukowski with a choreography that grows by one element at a time, performed by five women. In “Black Milk” (1990), by contrast, Ohad Naharin unleashes an excessive, archaic-seeming creation with five dancers in a movement language of almost cult-like intensity.
In her new piece, Neshama Nashman interprets the ritual as a transition, drawing inspiration from the Jewish Havdalah ritual marking the end of Shabbat. A sense of tension arises from the collective movement, which then dissolves into a quiet, contemplative atmosphere – an echo of night, memory and vastness.
Martin Chaix’s new creation, “À fleur de peau”, is a cyclical journey inward in which undefined emotions erupt to the surface, making the invisible pulse of human emotion immediately tangible – raw, colourful and life-affirming.
In “George & Zalman” (2006), Ohad Naharin combines the gradually unfolding text of a poem by Charles Bukowski with a choreography that grows by one element at a time, performed by five women. In “Black Milk” (1990), by contrast, Ohad Naharin unleashes an excessive, archaic-seeming creation with five dancers in a movement language of almost cult-like intensity.
In her new piece, Neshama Nashman interprets the ritual as a transition, drawing inspiration from the Jewish Havdalah ritual marking the end of Shabbat. A sense of tension arises from the collective movement, which then dissolves into a quiet, contemplative atmosphere – an echo of night, memory and vastness.
Martin Chaix’s new creation, “À fleur de peau”, is a cyclical journey inward in which undefined emotions erupt to the surface, making the invisible pulse of human emotion immediately tangible – raw, colourful and life-affirming.
Musikalische Leitung
Matthew Rowe
George & Zalman
Choreographie
Musik
Arvo Pärt
Text
Charles Bukowski
Voice
Bobbi Jene Smith
Kostüm
Licht
Dramaturgische Betreuung
Black Milk
Choreographie
Musik
Paul Smadbeck
Kostüm
Licht
Dramaturgische Betreuung
UA (Nashman)
Choreographie
Musik
Osvaldo Golijov
Sounddesigner
Davidson Jaconello
Bühne
Kostüm
Licht
Dramaturgie
À fleur de peau
Choreographie
Musik
Pēteris Vasks
Bühne
Kostüm
Aleksandar Noshpal
Licht
Dramaturgie
Orchester
