28.01.–06.05.2022 / Ballett

I am a problem

Roland Petit | Aszure Barton
Content
CARMEN Roland Petit
BAAL Aszure Barton (wold premiere)
approx. 2 hours, one interval
For all from 12 upwards
Carmen is a problem, because she does not behave in the way society expects. Because she fascinates and at the same time unsettles people, questioning their identities. The collective response is unambiguous: Carmen is consumed, Carmen is sanctioned – but ultimately disapproval of her difference will prevail. The French choreographer Roland Petit turned the material into a ballet in 1949, creating a legendary classic that touches and thrills audiences with its blend of virtuoso ballet, Broadway-style dramatic effects and Spanish local colour.

The second part of the evening revolves around another character who does his utmost to provoke people. In his early play ‘Baal’, the dramatist Bertolt Brecht created a creature who provokes strong reactions and a great many questions. How do we as a society deal with someone whose behaviour is anti-social? What mechanisms have we devised in order to limit the unpredictable forces that lie within all of us? With a commissioned score by Nastasia Khrustcheva, the choreographer Aszure Barton will juxtapose a world premiere based on Brecht’s ‘Baal’ against Petit’s ‘Carmen’.


Carmen
After a novella by Prosper Mérimée
First performed on 21 February 1949 by the Ballet de Paris, Shaftesbury Theatre, London

BAAL
World premiere after a play by Bertolt Brecht
Choreographie
Musikalische Leitung
Martin Braun
Musik
Georges Bizet, arrangiert von David Garforth
Bühne und Kostüme
Licht
Jean-Michel Désiré
Einstudierung
Luigi Bonino
Choreographie
Musikalische Leitung
Martin Braun
Musik
Nastasia Khrustcheva
Bühne und Licht
Kostüme
Libretto und Dramaturgie
Cast

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